I was never more pleased to be at launch than last Thursday (7 April) for the official reopening of the Belltable Arts Hub!
It’s been quite a turbulent few years for the venue at 69 O’Connell Street with resignations, refurbishments, noise disturbances, liquidation and the uncertainty that followed all of that. The last time I wrote about the Belltable I did a very long post recounting the whole saga BUT now the second age of the Belltable has finally arrived.
The reopening was a jubilant affair, complete with a street party and flash mobs. Speakers on the night included outgoing board chairman, Brendan Lane and Louise Donlon, Manager of the Lime Tree, who with her team has made a big contribution to keeping the Belltable alive. In a very fitting way Bríd Dukes, the founding artistic director, cut the ribbon—almost exactly 35 years after the centre first opened in 1981. At the time, regional arts centres were non-existent and as one of the first, the Belltable put Limerick on the cultural map.
The new logo
The Belltable is now under the auspices of the Lime Tree Theatre at Mary Immaculate College, which has a five-year lease with Limerick City & County Council to run it. Another welcome return is the name, which can be used after “a lengthy litigation process”. Yikes! There was always a question over whether the brand had been damaged but I think that with all the positive memories associated with it, it was worth fighting for.
Incoming Chairman of the Board, Colm O’Brien, at the new look bar
It has a new Programme Director in Marketa Dowling. As a former general manager of Fishamble: The New Play Company, she will bring vast experience to the role. Additions to the board include Riverdance composer, Bill Whelan and Colm O’Brien—CEO of Carambola Kidz and founder of Limerick’s Theatre at the Savoy. All these appointments will greatly enhance the rejuvenated venue.
The Credit Union building next door has been refurbished too to become offices and rehearsal space for use by local organisations.
Some of the revamped rooms in the building next door to the Belltable, which is now part of the complex.
Although there have been events on at the Belltable in the past few years. The Lime Tree’s Arts Encounter programming has kept it ticking over splendidly but it will be a step forward to have someone dedicated to developing the venue itself as well as its events schedule. It is also welcome news that the Belltable will be an active participant in the local arts infrastructure again, especially in the context of Limerick’s bid to be European Capital of Culture in 2020.
After the mistakes of the past, I have a feeling that the Belltable Arts Hub has a secure future. I think I speak for many when I say I’m looking forward to attending lots of great events there in the coming years!
Ireland’s only festival dedicated to dance on film and video art with movement as a central theme—The Light Moves Festival of Screendance—takes place in Limerick this weekend (19-22 Nov) and will screen 55 works by 92 national and international artists.
Highlights of this year’s programme include the European premiere of 24 Frames Per Second, a multi-arts commission by Carriageworks, Australia’s leading contemporary arts centre; Performance artist Nigel Rolfe; Renowned UK choreographer Siobhan Davies in a public interview; a special screening of Matthew Barney’s Drawing Restraint 9, a screendance symposium & lab, and children’s workshops.
Now in its second year, Light Moves “is a response to the vibrant and expanding area of dance film/screendance in Ireland”.
Curated by Jürgen Simpson and Mary Wycherley, the festival combines feature films, invited works, open submissions and explorations of screendance with some of the most respected figures in this field.
24 Frames Per Second sees 10 discrete artworks presented at Dance Limerick, LSAD (Limerick School of Art and Design) and an outdoor installation on Lower Cecil Street. This partnership with Light Moves, which is a European premiere, embraces an expanded notion of dance, with the selected artists practising embodied movement in a variety of forms.
Among the feature films presented this year, a festival highlight will be the special screening of Matthew Barney’s Drawing Restraint 9, the most complex instalment in an ongoing series, begun in 1987, which seeks to explore “resistance as a pre-requisite for development and a vehicle for creativity”.
A new addition to this year’s programme is the invitation to leading figures in the dance/screendance and performance world to share their experiences through a guest talk. Seminal performance artist, Nigel Rolfe, will give a talk entitled The Caught In Between and Nigel’s works Track and Into the Mire will be screened as part of the Invited Works programme. Renowned British choreographer Siobhan Davies will be in public conversation with the Light Moves curators.
In addition to works invited to the festival, almost 40 open submissions with movement as a central theme will be presented. Over 140 submissions were received from 30 countries in response to an international open call, with those to be shown selected by the festival curators.
An important element of the festival programme will once again be the Light Moves Screendance Symposium, which takes place over two half-days during the festival. The theme of the symposium is ‘Peeling Away the Layers’ and there will a keynote address and various speakers.
Speaking at the launch of the programme for Light Moves 2015, festival curator Mary Wycherley said:“We present a festival of opportunities which offers new and thought-provoking ways of engaging with performance and movement on screen. The works presented explore and expand the notion of choreography, enabling the body to take centre stage whilst advocating screendance as a way of both making film and thinking about film and dance.”
The event is produced by Dance Limerick, in partnership with DMARC (Digital Media and Arts Research Centre) at University of Limerick. Light Moves was established in 2014 as a legacy project under Limerick City of Culture.
It’s been a busy September and I haven’t gotten around to blogging very much so I’m going to do a bit of a round-up…
First up, Elemental Arts & Culture Festival (11-13 Sept) seemed to be a success. There was a definite buzz around the city centre and lots of family friendly stuff, which was lovely. I got to a few things as well.
I really loved the documentary, Alive Inside. I’d really recommend it if you get a chance to see it online or on DVD. It follows a social worker called Dan Cohen, who runs a non-profit organisation called Music and Memory. They go into healthcare settings, mostly nursing homes, to show how to demonstrate music’s ability to combat memory loss. The film shows how music can benefit those suffering from dementia, severe mental illness and conditions like MS. They supply headphones and iPods loaded with music, preferably a person’s favourite music. At a basic level, it can give them a pleasurable break from routine but it can also help them remember things, connect with the outside world and ultimately, improve their quality of life. It highlights issues with healthcare systems globally and the way we treat our aging population. But it deals with music as an element of culture, how we experience it and the interplay between music and feelings. It is truly amazing the way people reacted to music i.e. Alzheimer’s patients who didn’t normally communicate are suddenly alert and even singing and dancing in some cases. It begs the question: Could a ‘prescription’ of music be as effective (or more effective) as drugs? It’s a combination of uplifting and heart-breaking but well worth a look.
On the Saturday, I got along to the Fab Lab to see Love Letters from Limerick—an exhibition of traditional sign-writing and the art of hand painted lettering. Local sign artist, Tom Collins, is involved and visiting sign-artists, Sean and Kayleigh Starr, took part too. The pieces on display are very cool—a lot of distinctive signs and decorative items like embossed mirrors. There’s also a new sign that has been created for the project and erected on the side of a building on William Street reading ‘Everybody else is doing it so why can’t we?’—presumably in honour of The Cranberries’ album of the same name. The exhibition is running until this Friday, October 2.
I also called into the Hunt Museum to see Father Browne’s First World War—an exhibition of photographs by the Cork-born army chaplain. He ministered to troops at the Somme, Messines Ridge, Paschendaele, Ypres, Amiens and Arras. Some of his photos were stunning. I loved the immediacy of the trench and battlefield shots. By the way, the superb, Ranks: A Limerick Industry, is the Hunt’s current exhibition. Blurb is: “The Ranks flour mills were at the heart of Limerick for generations. This exhibition celebrates and explores the role of Ranks in Limerick’s history through stories from the local community.” If you’re in town and at a loose end before 25 October, I’d urge you to go and see it. I saw it before and it’s quite touching. It’s a huge part of Limerick’s industrial past but the personal accounts are nice.
Also during Elemental, I had a look at Third Bridge by Andrew Kearney and Deirdre Power in Ormston House. The exhibition was “based on the collective action taken in 1983 by then first year students at Limerick School of Art and Design to construct a ‘third bridge’ over the Shannon, built from 180 polystyrene bricks, strung together, bracelet-like, by two 185 meter-long nylon ropes”. The effort “exemplified what Suzanna Lacy would later refer to as ‘new genre’ public art”. Mostly consisting of photos documenting the project, I thought it was very well put together and illustrated an interesting period in the city’s history. I would’ve loved for more photos to be in colour but it’s likely they were shot on black and white film. If they weren’t, I feel an even split between colour and monochrome would have been better but it was still a great show.
I saw the play, Charolais, that night in 69 O’Connell Street. Told from the perspective of lovelorn farmhand, Siobhán, and a rather snooty French cow, it was very clever. Written and performed by Noni Stapleton, the black comedy is a tale of homicidal jealousy between a woman and a prize cow (literally). The solo performance was excellent—particularly when she was playing the part of the animal—and the writing smutty, raw and hilarious in parts. It premiered in Dublin Fringe 2014 as part of Show in a Bag—an artist development initiative of Dublin Fringe Festival, Fishamble: The New Play Company and the Irish Theatre Institute. I’ve seen some brilliant plays arising out of Show in a Bag including Bandit, Fight Night, The Wheelchair on my Face, Counter Culture and Connected.
The following Friday (18 Sept) was Culture Night and again, there was a fabulous buzz around the city centre with all the events going on. I called into LCGA, Limerick Craft Hub, the Hunt Museum, the Fab Lab and the Milk Market but the highlight was an Open House initiative at 4 Patrick Street. The building, formerly a shop before it was boarded up as part of the ill-fated Opera Centre Project, was also the birthplace of famous Limerick soprano, Catherine Hayes. You could only step in to see a limited shop floor space but then a young local soprano read a little bit about Hayes’ global career and sang excerpts from arias from operas Hayes performed in. It lasted 10-15 minutes max but it was a perfect slice of culture. I love the concept of Culture Night (and late opening of galleries/musuems could happen a little more often BTW). The hope is that it encourages people to seek things out on some of the other 364 days of the year.
To top September off, I was invited along to see Waiting in Line by local theatre company, Honest Arts, at the Jonathan Swift Theatre in UL last week. A sharp commentary of Ireland’s social welfare culture written by Pius McGrath and Tara Doolan, I thought it was observant and funny with strong performances. McGrath was particularly impressive. The set design was amazing; no surprise that it was nominated for an Irish Times Theatre Award. The settings were projected onto the background (with realistic animations) using 3D mapping technology. This innovative technique is possibly the future of set design and suited the fast pace of the piece very well. Honest Arts garnered positive reviews for production, The Mid-Knight Cowboy, at the Edinburgh Fringe and Waiting in Line showed at the Toronto Fringe Festival. This vibrant, young company is a definite ‘one to watch’.
I posted recently about two local crowdfunding campaigns and there are two more that you may be interested in too—both with a connection to the Big Apple. One campaign is for Limerick Theatre Company, Bottom Dog, and the other is for a film project by a Limerick-born filmmaker, Narcan.
Language Unbecoming a Lady
Bottom Dog show, Langauge Unbecoming a Lady—written and perforned by Myles Breen—has been invited to the prestigious Origin’s 1st Irish Theatre Festival in Manhattan this September.
In Myles’ own words: “As Limerick’s first and only production at the festival in its seven years, we join a host of international productions in New York City for a two week run at the Cell Theatre, and get to represent you, our city, and our country in the Big Apple. This is not only this play’s international premiere, but the first Bottom Dog Theatre production to be staged outside Ireland! We are incredibly excited at the prospect, and so launch our first crowd funding campaign to make it a reality.”
“I wrote and performed this play for the first time in 2009 as part of Limerick’s annual Pride festival. Directed by my friend and colleague Liam O’Brien…our small show played for just four nights at the offsite Belltable Space in the city. Completely sold out and consecutive standing ovations later, we were overwhelmed by the response from local audiences. And so began a love affair with ‘The Divine Diana’ that has taken our show across the country to 19 venues, with over 55 performances to audiences of over 5000 people. We’ve toured from Cork to Donegal, Galway to Dublin and everywhere in between”.
Reviews were very positive: “Unadorned, vulnerable and comically self- critical, Breen is a shining and believable presence” – The Irish Times; “Fabulously written, wonderfully acted, tells an extremely important story, and is an undoubted success” – Irish Theatre Magazine; “Breen’s writing is sharp, colourful, aphoristic…it’s emotional honesty is compelling” – Irish Examiner.
“It has always been a dream of ours to tour this work abroad, and in the light of the historic YES vote for Marriage Equality, it seems like the right time to celebrate where we now are, but also remember where we came from. To tell my story and the story of countless Irish gay men and women, through the medium of theatre I love so much at Origin’s 1st Irish Theatre Festival, is the opportunity we’ve been waiting for. In over 30 years in the business I’ve never performed my own writing outside Ireland – and now’s my chance!”
The tour is being supported by Culture Ireland who will cover flights and accommodation in New York for the three BD members who will travel but there are lots of other expenses from venue hire to Visas which must be covered.
Rewards include: a voicemail from Myles in character, a custom written Limerick by the director tickets to the gala fundraiser (see details below) and even a one hour swing show by Rat Pack start, Liam O’Brien. Corporate sponsors are also welcomed.
Also, there is a Gala Fundraising Night in the Lime Tree Theatre on 27 August where there will be a performance of the play along with a drinks reception and entry to the cabaret at Dolan’s Warehouse after the play. Tickets are €50 and can be purchased on www.limetreetheatre.ie.
Narcan is short film being made in New York at present and was inspired by writer/director Peter McNamara’s time living and working in New York City.
“While working behind a bar Peter would hear a wealth of stories from migrant Irishmen but one set of stories in particular stood out from the rest, An Irish paramedic working the streets of New York who would regale Peter with stories of being on the job and everything gritty detail that it entailed. Fascinated by what he heard Peter began to write during quiet moments while working in the bar.”
“Narcan tells the story of Sean Ryan an Irish paramedic working the unsympathetic streets of New York City, every day he struggles to manage a fractured personal life, with his only son refusing to speak to him and the void between himself and his wife Sinead growing bigger with every passing day. The death and darkness of the job begins to creep inside Sean’s head clouding his judgement. It is during the course of one particular 12 hour shift that decisions with irrevocable consequences are made; Sean must call upon every ounce of his stringent resolve to try discover balance.”
The crew has managed to organise equipment and locations etc but need help to get the film finished to a high standard so it reach its full potential i.e. sound mixing, editing, music rights and more. Once the movie has finished all pre and post production, the monies raised will be used for festival submissions in both the US and Ireland.
Peter is a writer/director with multiple nominations to his name, born in Limerick, in 1981; Peter grew up in a working class household and began working construction at a young age having left school early. In 2013 after a life changing experience he decided to quit his job and return to third level education to study film-production. Well-known Limerick actor, Peter Halpin—also a producer of Narcan—is starring in the film along with several other talented cast members.
Rewards include your name in the film credits, scripts, souvenir pins, limited edition posters and more.
Welcome to 2015!! After an truly packed arts calendar in Limerick last year, I hope that momentum will carry on and I’m sure the community- whether practitioners or audience members- will guarantee this. Limerick will be one of the cities vying for European Capital of Culture 2020 and after a great City of Culture 2014 year, we’ve shown that ‘Yes We Can/Is Féidir Linn’ spirit that is essential to win the prestigious bid. Now onto some news…
The Irish Chamber Orchestra received €860,000; the Association of Irish Choirs received €125,000; Limerick Printmakers, €60,000; Fresh Film Festival, €53,000; Dance Limerick, €125,000; EVA International, €222,000; Limerick City Gallery of Art, €112,500; Limerick Arts and Culture Centre (69 O’Connell Street, former Belltable) and the Lime Tree Theatre, €125,000 and Friars’ Gate Theatre, €20,000. The Limerick City and County Arts Service received €102,000.
The results of the funding means that there will be some great theatre, dance, music, film, visual art and more in local venues this year. Huzzah!!
On The Wire—a Made in Limerick project for City of Culture 2014—has been nominated for a prestigious Irish Times Theatre Award for Best Production. The piece, about World War I as seen through a local lens, was really excellent and a true highlight of the year. The atmospheric venue in the Sailor’s Home was complemented by amazing set/production design and the performances were superb. On the Wire was written and performed by Marie Boylan, Mike Finn, Conor Madden, Amanda Minihan and Shane Whisker as was directed by Terry O’Donovan for Wildebeest Theatre Company.
Limerick City of Culture was also nominated for the Judges’ Special Award. Congrats to every involved with both nominees. The awards ceremony take place on February 22, at the National Concert Hall in Dublin.
It is with heavy heart that I say that one of my favourite regular theatre fixtures in Limerick, Theatre at the Savoy, is taking a break for the next while. The good news is that the venue, the Savoy Hotel, was purchased last year and will undergo some refurbishment—including the areas near the lobby where the monthly event has taken place since 2012.
A statement released said that “regrettably, Theatre at the Savoy will…go dark for the next few months”.
“Theatre at the Savoy opened its doors at The Savoy Hotel in Limerick in 2012 and since then has brought almost 70 different quality national and international productions to Limerick. In three short years, Theatre at the Savoy became a renowned fixture on the theatre touring circuit.”
Colm O’Brien, Maeve McGrath and Pius McGrath of Payday Productions (which ran Theatre at the Savoy) acknowledged “the management and staff of The Savoy Hotel along with the management of The Lime Tree Theatre for invaluable support over the past three years. Most importantly we would like to thank our loyal audience and members of the local press without whom Theatre at the Savoy would simply have been a good idea, instead of the cultural success it became. Thank you all”
I’ve had the pleasure of seeing lots of the productions over the last few years and greatly enjoyed most of them. Personal highlights for me included I Do, Bandit, My Life in Dresses, The Sweet Shop, The Wheelchair on my Face, Dorset Street Toys, A Chip in the Sugar and Songs of Joyce to name but a few. The event showed that there is a hunger for lunchtime/café style theatre in the city. We can only hope that Theatre at the Savoy returns with gusto later in 2015.