Irish legend, The Táin, reimagined through dance this week

The_TainThe ancient tale of The Táin is getting a 21st century rework with a hip hop dance theatre interpretation in Limerick this week. Running from tonight (July 20) to Friday July 25 at 9pm nightly in Limerick’s Milk Market, the epic legend of Cúchulainn and Queen Maeve will be reimagined and retold using a combination of dance and an MC to an original soundtrack by Icarus Rising.

The Táin—produced in association with Dance Limerick, the City of Culture ‘Made in Limerick’ strand and the local authority—brings together a cast of local, national and international hip hop dance theatre artists. It features local dancer Barry Burke AKA Bazzy B as well as other local dancers and members of the Limerockers Cru. The creative director is well known local theatre practitioner, Ciarda Tobin.
The blurb is: “The city is the state, two tribes collide, a hero emerges.
The epic Irish tale of Cúchulainn and Queen Maeve is launched into today’s simmering underworld of tribal turf wars. Fired by passion and pride, Cúchulainn seeks to defend his territory at all costs. In this explosive re-imagining of the ancient story, there are scores to be settled, sacrifices to be made and the ultimate prize to be claimed. This spectacular production fuses urban art forms with stunning performances…”

It sounds amazing and really unique! Making a story from the distant past relevant again is no mean feat and of course, this production builds on the buzz created earlier in the month by the The Tain 24Make A Move festival—a celebration of hip hop and urban culture.

The Táin is suitable for audiences over 12 years and there is limited seating.

 

Tickets are €10 and €5 (concession). Tickets can be bought online, at Harpers Coffee House @ The Milk Market and on the door (cash only for door sales). More general information here.
Ms Tobin said: “The legend of The Táin is familiar to many people. We have taken the original story and are re-telling it in the present day.  It’s still a story about power and greed, but the setting is contemporary and is inspired by city life.  We’re really excited to be re-imagining the epic tale through hip hop theatre and are very lucky to be working with amazing collaborators such as Bad Taste Cru – specialists in hip hop theatre – and Barry Burke, who is well known for his work with hip hop groups in Limerick, as well as Icarus Rising, who have created an original soundtrack especially for The Táin. This is the first hip hop theatre show to be produced in Ireland, so we really hope everyone will come and see what it’s all about.  We have a great team made up of creative and performing artists from all over the world, together with some of Limerick’s finest, and we’re very grateful to Limerick City of Culture whose funding has made this exciting project possible”.

See below for a teaser ad…

Cast:
Barry ‘Bazzy B’ Burke (Limerick)
Shane Davis, aka Dirty Harry (Limerick)
Michelle ‘Mystique’ Lukmani (US)
Darren ‘Jelly’ O’Kane (Ire/UK)
Sachith ‘Bboy SamRoc’ Premarathna (Sri Lanka/Dublin)
Nora Rodriguez (Mexico/Limerick)
Chris ‘Fluidgirl’ Young-Ginzburg (US)

Choreography is by Paul Martin and Conor O’Kane of leading international hip hop theatre company Bad Taste Cru, in collaboration with Limerick dancer and teacher Barry ‘Bazzy B’ Burke;
Original soundtrack is by hip hop duo Icarus Rising: Mexy (Dundalk) and West Knyle Ambers (Detroit/Dublin), featuring vocalist Emma Jane Maher  (Dundalk);
Set and Costume Design is by Irish Theatre Award Nominee Emma Fisher (Limerick)
Lighting and AV Design is by Art O’Laoire (Cork)
Film Content is by Shane Serrano (Limerick)

Make A Move Fest starting this Thursday

580x232xmake_a_move_3_580x232.jpg,qitok=upCPmQxE.pagespeed.ic.3kF1PyLyWtOne of the most unique festivals in the country will take place in Limerick from Thursday this week as the The Make A Move Festival comes to city streets and venues from July 3 to 6.

Now in its third year, the festival of hip-hop and urban culture has a packed programme encompassing music, dance, street art, theatre and more.

smug-mural-limerick-03From street dance to MCing/rapping and graffiti to discussion, Make A Move will showcase work from all around Ireland and abroad but “with a special focus on the work of the emerging talent and skill from Limerick”. The city was left with some spectacular graffiti from visiting artists last year (see example on the right) so here’s hoping we’ll see more of that this year.

There are many highlights on the programme (see here) like gigs and the paint parade. Another one of these is Raymond Scannell’s play, DEEP, an award winning play set in Ireland in the late 80s and 90s. The blurb is: “House Music, Club Culture, Vinyl Obsession. Larry Lehane knows all about them.” The play is part fiction and part documentary with interviews and footage from Sir Henry’s in Cork. The Irish Times describes Larry as “a character who is full of frantic energy and madcap dreaming”. DEEP won an award for Best Male Performer at the Dublin Fringe Festival Awards 2013 and was also nominated for the Spirit of the Fringe award.

The play runs for one night only this Thursday (July 3) at 8 pm at 69 O Connell Street (formerly the Belltable). Tickets from €12 (available here).

See a preview here:

Irish Times journo, Jim Carroll, will host an event called Banter on Friday July 4 at 7.30 pm in Shannon Rowing Club. The topic for discussion will be Limerick City of Culture and its aftermath.

“The big question, though, is what comes next. When the circus leaves town at midnight on December 31, will Limerick cease to be a city of culture? Does a city like Limerick need a city of culture designation to show off its wares? Isn’t culture supposed to be more about bed nights? What will Limerick remember most from and take from 2014′s cultural parade? Will we remember this year in a year solely for reports, spats, costs and inventive use of an old dairy”

Panelists include: City of Culture Director, Mike Fitzpatrick; Arts Council member, theatre practitioner and facilitator with the new Creative Communities Limerick Network, Monica Spencer; senior youth worker and board member of the Make a Move, Catherine O’Halloran and head of the Dept. of Arts Education & Physical Education at Mary Immaculate College, Mike Finneran.

For more information, see www.makeamove.ie.

Exciting upcoming event: I Do

There is an exciting piece of site-specific theatre on at the Savoy Hotel the weekend after next, July 12 and 13, in the form of I Do.

The blurb is as follows: “Be a fly on the wall in this acclaimed site-specific jigsaw puzzle in six hotel rooms. I Do is a funny, vivid and moving exploration of life, seen through the lens of a family wedding just before a couple tie the knot.”

“Divided into groups, audiences will move through six hotel rooms and experience the same 10 minutes in a different order. Following sell out shows in London, Dante or Die’s critically acclaimed I Do runs over two nights, two shows each evening at The Savoy Hotel.”

I DoBringing the unique show to the city was the result of a collaboration between The Lime Tree Theatre, Theatre at the Savoy and The Savoy Hotel. I Do was described as “clever, funny, touching” and “meticulously crafted” by the London Evening Standard.

Please note that the performance contains nudity so audience members must be 16 or over. The shows take place 5pm and 8.30pm both evenings. Tickets €20/€16 and can be purchased here.

I love the novelty of both site specific and promenade theatre (where audience members walk or move about following the action) so I highly recommend this. I saw a superb example of site-specific theatre in a hotel in 2010 at the Belltable Unfringed Festival with Memory Deleted by Anú Productions, directed by Louise Lowe.

The main part of the production took place in one room in the Boutique Hotel in Denmark Street. Various actors came in and out of the room for scenes as several different events unfolded—showing previous occupants of this room. Several other rooms on the floor either had actors performing in them (just brief vignettes) or acted as mini-sets. The audience could wander about, peeking into rooms before the main event.

The whole experience was very voyeuristic. You never think (or perhaps try not to think) about the thousands of people who have stayed in a hotel room before you with all their stories, hopes, intentions etc. It’s immersive theatre and a bit mind bending…in a good way!

The Dante or Die production was created by co-artistic directors, Daphna Attias and Terry O’Donovan and written by Chloe Moss. The London-based company is known for using unusual spaces to create “ambitious and infectious” pieces but has also played to venues like the National Theatre in London, Linbury Studio at the Royal Opera House and Theatre Royal Haymarket. Terry O’Donovan, who trained at the Central School of Speech and Drama in London, is originally from Limerick so welcome back to him for City of Culture 2014.

If you want a bit more detail, see the official trailer for I Do below…

Review: The Bachelor of Kilkish

Irish-Barber-Sketch-1I was at the opening night of The Bachelor of Kilkish, the latest from Limerick company Bottom Dog Theatre Company, last week (June 12) in the Lime Tree Theatre.

Written by Bottom Dog co-founder and well-known actor, Myles Breen, the play is about the eponymous ‘bachelor’, Eugene (Brendan Conroy) who is a 65 year old closeted gay man who owns a barbershop in a small, seaside town. His world revolves around the shop and local goings on—chatting with regulars like hotel owner, Pat (Pascal Scott), who drops in every week for a trim and sharing cosy tea breaks with lifelong pal, Agnes (Deirdre Monaghan) and young hotel receptionist, Jacinta (Clare Monnelly).

His polite, low-key existence is shaken up when fun and flamboyantly gay young barber, Ian (Stephen Tadgh), takes a summer job at the shop. As the small-town ‘old guard’ gear up for the summer festival and the Colleen of Kilkish pageant (sher, they’re all lovely girls, ahem), the status quo is under threat and things are about to change drastically…and I’m not talking about the rearrangement of the amusement arcade!

What followed was a play that swung between hilarious and heart-breaking. It dealt with a lot of issues sensitively, such as homophobia and from the other point of view—the experience of being gay in a conservative community, hiding who you truly are and fearful of being the subject of gossip. Other subjects were unrequited love and the simultaneous comfort and claustrophobia of small-town existence.

The contrast between Eugene and Ian is as marked as the dichotomy between a small Irish seaside resort in summer and in winter. The interplay between the two was one of the highlights of the play. Conroy played shy Eugene with great poise and dignity, building towards a new assertiveness and sense of self. Tadgh injected incredible energy to nearly every scene he was in as the witty, exuberant Ian. He has a flair for comedic timing and is wonderfully expressive in the role. The scene where he lip synchs and dances to Miley Cyrus’s ‘Wrecking Ball’ is a contender for the funniest thing I’ve ever seen. The whole audience was in stitches.

The two ladies played their supporting roles well. Both were vibrant in their own style and were convincing in the more morose, emotional scenes too. Pat and his son, Mike (Cillian Ó’Gairbhí) represented the more conservative, ‘conventional’ side of society but came dangerously close to being caricatures a few times. That said, there were a few very realistic incidences of classic Irishman reactions to being in close contact with a gay person very at ease with themselves. The uncomfortable exchanges had great comic realism.

The Bachelor of Kilkish is well written. Breen excels at sharp one-liners and there are many brilliantly funny moments and scenes in the play. This was a blessing and a curse I felt because when the tone shifted to more serious interludes, the audience was still laughing and it was hard to refocus. As I said, he approached the issues with innate understanding and addressed them carefully.

Final-Poster-The-Bachelor-of-Kilkish-Lime-Tree-2014For all the fun, it was terribly sad in parts too. I felt a real sense of empathy with Eugene. I couldn’t help thinking about all the others like him. The play had a good balance of light and shade in that way. It ended on a somewhat predictable, but hopeful and life affirming note.

He has a keen eye and ear for detail, making the setting seem genuine i.e. the townspeople referring to tourists as “swallows” because they fly in for a period and disappear as suddenly or the pompous, self-importance of commanding figures in local communities (we all know one or more!) spouting about reputations and brands.

There was a lot going on and director, Liam O’Brien, pulled all the elements together. The music was beautiful—making the scene transitions flow effortlessly—and the barbershop set was excellent and used in a very versatile way. The lighting was appropriately subtle.

I had a few minor problems with the play. I thought it was too long. It was pushing two hours and 30-45 minutes I’d say and I think if it could be cut back a bit, it should be because it would be the better for it. I thought the subplot involving Jacinta and Mike was drawn out, as were a few scenes generally. But these are small issues with a strong piece overall. (Note: I got a comment saying it ran for exactly 2 hrs 14 minutes with starting late and an interval overrun. I still reckon it was closer to 2 hrs 30 mins (not 45 thinking working it out in more detail). I took the delays into account and looked at my watch leaving at 11pm but I didn’t have a stopwatch. Perhaps it just went on too long in my estimation. My abiding point is: it seemed too long and dragged a bit so it could be cut back slightly. I stand by that.)

I really enjoyed The Bachelor of Kilkish and the 350 strong audience did too—showing their appreciation with a long standing ovation. Bottom Dog TC has produced some fine work since it was founded a few years ago and with limited funding.  The play was funded through the ‘Made in Limerick’ strand of City of Culture and I’m glad to say it was money well spent. Funny and touching, this quality of this production really demonstrates what they can do.

I’d recommend it. It’s showing in Kilkee this Thursday and Friday (June 19 and 20) and Friar’s Gate in Kilmallock this Saturday and Sunday (June 21 and 22).

Top pick for next week: Waiting in Line

Waiting in Line- Clare Langford- Image by Sam KeenanWhat is sure to be a really exciting show next week is Waiting in Line, which is part of the ‘Made in Limerick’ strand of Limerick City of Culture.

The intriguing premise by Honest Arts combines “artistry and the latest in 3D mapping technology in this fast paced, thought provoking, physical theatre piece”.

It is a commentary on the ‘social welfare culture’ that has been created in Ireland over the past 25 years.

The production is running from May 22-24 (previews May 21) and taking place Dance Limerick, St. John’s Square. It will be performed by Clare Langford and Pius McGrath and directed by Tara Doolan. Please note this show is suitable for audiences 15+

WAITING IN LINE - Pius McGrath - Image by Sam KeenanHonest Arts toured to EdFringe in 2013 with The Mid-Knight Cowboy which received rave reviews and was also performed on Broadway NYC.

The Scotsman newspaper said that “McGrath is a talented performer, shifting through the generations with little more than subtle adjustments of speech and body”.

Bookings by phone: 061- 467813 or online at: waitinginline.eventbrite.ie.

For more information, see www.facebook.com/HonestArtsCo and @Honest_Arts